Proportions What Percent of Body Is Head Drawing
Proportions of the Body
Total height of the body - 7 1/two times the head or seven and half times unit
Praxiteles'south constabulary - torso is equal to eight caput (Units)
width of the body = 2 heads / units
Omphalos - present int he quaternary head / unit
Unit 4 too marks position of the elbow and peak of the waist
Paw length = face up length
Articulatio genus is located in the 6th unit /head or junction of the 6th / 7th Unit
Weight is to exist distributed evenly or equally - go along the line of the neck, the hips and the feet aligned
Female body - Narrow shoulders and wider hips
Children -
New born - height is iii times caput - middle of the torso at umbilicus
1 year - meridian 3 1/ii times head
4 years - heigh 5 times caput
12 years - height 7 times caput - middle of the torso above pubic area
In elderly - brand nose and ears big equally they are the only two parts of the body that exercise non terminate growing fifty-fifty after the adulthood.
2 one/3 heads is the width of the male body
space betwixt the nipples is one head
wrist drops just beneath the crotch
Elbows at the level of the navel
Knees but above the i fourth of the body line
Shoulders - i sixth of the body line from the top
Scale
Scale is the mathematical relationship that exists between the actual dimensions of your model and those of your sculpture / painting / drawing, which represents information technology.
The scale is defined by ii numbers that determine a ratio betwixt the cartoon and reality.
The first number (numerator) of the proportion refers to the drawing.
The second number (denominator) of the proportion refers to reality.
SCALE = DRAWING / REALITY; that is, if my scale is E = 1/4, we will interpret that one centimeter of my figure is equivalent to four centimeters of reality.
TYPES OF SCALES
Scale is a graphical method that allows us to depict any object larger or smaller than it really is.
There are the following types of calibration:
Reduction scale: The drawing / sculpture is smaller than reality. It volition exist necessary when nosotros want to describe or pattern large objects, such as roads, buildings, stadiums, ships, etc. Can you imagine working with a map the size of a shopping center? Onreduction scales, the first number is less than the second . Therefore, the scales will accept the post-obit possible forms: ane: 2, 1: 3, two: 3, 1:x, 1: 200, etc.
Scales of enlargement: The drawing / sculpture is bigger than reality. We volition utilize them when the object is so small that nosotros need to see it larger in society to understand it. For instance, information technology is used in the design of watches, electronic devices, mechanisms, etc. On magnification scales, the commencement number is greater than the second. They will look similar this: 2: one, 5: 1, iv: iii, 10: 3.
Real scales: It is represented as i: i, that is, our model measures exactly what is represented.
PRACTICAL EXAMPLE
Imagine that you want to paint a 60cm human figure on canvas, at what scale would your sculpture be?
The showtime thing is to know how much a human being actually measures and the "platonic standard" measurement for a human being is180cm , this is very important, y'all ever have to know the actual measurement of the effigy you are modeling in lodge to summate the scale.
At present you just have to split the existent measurement by the measurement of your sculpture, which is 60cm 180/sixty
= 3 So yous can say that your sculpture would be at1: iii scale
Examples of scales in the human figure that are normally used (ideal standard of 180 cm):
Calibration 1: 1 = 180cm: 1 = 180cm, your painting would be life size.
Scale 1: ii = 180cm: 2 = 90cm
Scale i: 3 = 180cm: 3 = 60cm
Scale 1: 5 = 180cm: 5 = 36cm
Calibration 1: 6 = 180cm: half dozen = 30cm
Well now it's fourth dimension to summate all the averages of your sheet of threescore cm or one: 3 scale and for that we have the canon of eight heads, essential to work the human figure.
The outset and main signal is to knowthe head size for your 60cm painting effigy
Now, let'south go step by pace:
1º Calculate head size: 60cm: 8 = 7.5 cm
2º The shoulders measure out 2 heads: 7.5 cm x ii = fifteen cm
3º The hips mensurate 1 and ½ heads: vii.5mx one.5 = 11.25cm
4º The legs mensurate and feet measure 4 and ½ heads: 7.5cm 10 4.5 = 33.75cm
fifth Arms measure and easily measure 3 heads: 7.5cm x 3 = 22.5cm
Proportions of Caput
Ratio of the caput to the the width - is approximately two thirds
Width of the nose is equal to the length of the eye
Width of the caput is equal to 5 eyes or eyes are placed after dividing the caput width into five parts - middle role is left bare then optics placed on either side
Length of the lower lip is shorter than upper lip though the thickness of the lower lip is 2/3rd and upper lip is 1/3rd
Contour of the upper lip is called cupids bow because of the resemble to the cupid
Ears are located between the lines of the eyebrows and the base of the nose
Width of the neck is one half of the the height of the head
A virtual line divides the face into two halves called central axis of the face
This line is divided in one-half (middle) - there is horizontal axis of the eyes.
Human head equals - 3 1/2 times the length of forehead or 3 1/2 units
Pinnacle of the caput - Natural headline
Starting betoken of the drawing of the face is the tilt line in the vertical axis
Head = 3 unit wide or three fore heads
Distance between the eyes is equal to the width of the one eye
Lips at the line dividing middle of the third part horizontally
Upper line - hair line
Second line - eyes
Third line - Olfactory organ
Last line - chin
The mouth is located in the center of the center of the last segment (middle of the 3rd part horizontally)
Paw
Altitude between the wrist and the knuckles = Knuckles and the tip of the center finger
Index finger is equal to the ring finger
Pinkie is equal to the final joint of the index finger
Length of hand = length of the confront
Pelvis & Hips
Lines formed by the shoulder and the hips - horizontally gives the tilt of the body
The tilt of the both of these lines marks the equilibrium of the pose.
Source: https://www.pawanlal.org/home/index.php/about-us1/sketching-and-drawing/figure-drawing
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